Paul Chambers Quartet – Bass On Top (1957) - New LP Record 2021 Blue Note Tone Poet USA 180 gram Vinyl - Jazz / Bop
Paul Chambers Quartet – Bass On Top
- Bass – Paul Chambers (3)
- Design [Cover] – Harold Feinstein
- Drums – Art Taylor
- Guitar – Kenny Burrell
- Lacquer Cut By – RVG*
- Liner Notes – Robert Levin (2)
- Photography By [Cover Photo] – Francis Wolff
- Piano – Hank Jones
- Producer – Alfred Lion
- Recorded By [Recording By] – Rudy Van Gelder
180-gram LP
Mastered by Kevin Gray at Cohearent Audio from the original master tape
Plated and pressed at RTI
The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.
When jazz bass virtuoso Paul Chambers recorded his third and final album as a Blue Note lead, Bass On Top, he was already well established. Brilliantly seductive, it features Hank Jones (piano), Kenny Burrell (guitar) and Art Taylor (drums). Features a chamber-jazz interpretation of Jerome Kern's "Yesterdays" & a swinging version of "Dear Old Stockholm," a tune often associated w/ Miles Davis. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Side 1 | |
1. Yesterdays | |
2. You'd Be So Nice To Come Home To | |
3. Chasin' The Bird | |
Side 2 |
|
1. Dear Old Stockholm | |
2. The Theme | |
3. Confessin' |
- choosing a selection results in a full page refresh