A.O. Gerber - Meet Me at the Gloaming - New LP Record 2022 Father Daughter Transparent Gold Vinyl -Indie Rock / Folk
Regular price
$21.99
Quantity - 2
Shipping calculated at checkout.
1.
|
Disciple Song
|
|||
2.
|
Walk in the Dark
|
|||
3.
|
Looking for the Right Things
|
|||
4.
|
You Got It Right
|
|||
5.
|
Mount Washington Phone Company
|
|||
6.
|
Hunger
|
|||
7.
|
For 03:45
|
|||
8.
|
Just as a Child
|
|||
9.
|
Noon of Love
|
|||
10.
|
PFS
|
|||
11.
|
What Are You Reading?
|
|||
12.
|
Only Mystery
|
about
On her new album, Meet Me at the Gloaming, Los Angeles-based singer, songwriter, multi-instrumentalist, and producer, A.O. Gerber carefully grapples with the constraints she was taught as a child to reach for the flourishing that comes when we look past the black and white, and into the gray gauze of the in-between. “I was thinking about how damaging it can be to exist in that binary space of good and evil,” Gerber explains. “When we see everything in either/or’s, we lose the nuance and complexity that make life rich enough to be worth living.” By interlocking memory and imagination, Gerber crafts a gleaming future, where the light and the dark don’t just coexist––they create a new color entirely.
Gerber’s debut LP, Another Place To Need (2020), garnered critical acclaim for its candid, orchestral ruminations on splintered relationships and the cage of overthinking. While that record took three years to complete, and saw Gerber collaborate with much of her musical community in Los Angeles and the Bay Area – including Sasami, Madeline Kenney, Marina Allen, and Noah Weinman (Runnner) – Gerber stripped back the team for Meet Me at the Gloaming. Once again co-producing with Madeline Kenney, Gerber shunned the usual process of seeking constant feedback, and instead leaned into a more isolated process, later producing much of the record at home. “I found a lot of healing while making this record because I had to be the person to call the shots,” she says. “I realized that I can exist as a musician completely outside of other people’s opinions of me.” Recording at Kenney’s home studio on nights and weekends in-between their day jobs, Alex Oñate joined Gerber and Kenney on drums while Gerber also collaborated remotely with Megan Benavente on bass and Lauren Elizabeth Baba on violin and viola.
Gerber’s debut LP, Another Place To Need (2020), garnered critical acclaim for its candid, orchestral ruminations on splintered relationships and the cage of overthinking. While that record took three years to complete, and saw Gerber collaborate with much of her musical community in Los Angeles and the Bay Area – including Sasami, Madeline Kenney, Marina Allen, and Noah Weinman (Runnner) – Gerber stripped back the team for Meet Me at the Gloaming. Once again co-producing with Madeline Kenney, Gerber shunned the usual process of seeking constant feedback, and instead leaned into a more isolated process, later producing much of the record at home. “I found a lot of healing while making this record because I had to be the person to call the shots,” she says. “I realized that I can exist as a musician completely outside of other people’s opinions of me.” Recording at Kenney’s home studio on nights and weekends in-between their day jobs, Alex Oñate joined Gerber and Kenney on drums while Gerber also collaborated remotely with Megan Benavente on bass and Lauren Elizabeth Baba on violin and viola.
- choosing a selection results in a full page refresh